
MUNICH — “It was gnarly. Dangerous. Only the most experienced could surf it,” says Jakob Netzer of what local surfers have come to call the “E1,” an ever-churning wave along a mountain stream that flows through central Munich — a swell that non-surfers and tourists know as the Eisbachwelle or “ice stream wave.”Â
“And it’s very sad the wave is not working,” says Netzer, staring at where the wave once regularly appeared, just below a bridge that marks the entrance to the city’s English Garden.
In early November, as city engineers finished dredging the bottom of the Eisbach — a two-kilometer-long (1.2-mile) canal that is a side arm of the Isar River — they opened the floodgates to find the Eisbachwelle, typically a 1.5-meter (4.9 feet) high summit of icy river water, had transformed into a small, nondescript whitewater bump along a raging waterway.
“It’s usually three sections,” says Netzer, who has surfed the Eisbachwelle for years. The wave stretches across all three. “On the far side, you jump in and there are these bumps, and then in the middle, you have a nice, smoother place where you can surf, but it’s not easy, because you have to anticipate the sections and know where to make the turns.”

Netzer recalls the first time he surfed the wave, at the age of 17. “I was working in a bar and one of my bar colleagues took me to go on the Wave in the middle of the night after our shift ended,” he remembers. “I actually didn’t think much about it, I just did it.”
It was the beginning of a surfing addiction, says Netzer. He’s regularly surfed both E1 and its less challenging sibling E2, further downstream, ever since — come rain, shine, or snow, when he dons his full-body wetsuit.
Fellow surfer Alexander Neumann of the Munich River Surfers’ Association says over the years, the city’s engineers have routinely dredged the Eisbach canal — but they did so with greater scrutiny this year due to the drowning death of a surfer on the Eisbachwelle last April.

“They wanted to find if there are any danger zones where people could get stuck,” he explains. “So they took a bit too much out, which used to still lay on the ground of the wave, and the wave is not forming properly now.”
In response to questions about how the city of Munich is addressing the disappearance of the Eisbachwelle, spokesperson Susanne Mühlbauer issued a statement to NPR: “For Munich, the Eisbach wave is a symbol of urban sports and leisure culture, as well as a globally unique and popular tourist attraction that complements and rounds off the city’s range of sights in an outstanding way — and that’s why Munich Tourism hopes the Eisbach wave will return quickly.”

Down the street from where the Eisbachwelle used to exist, at the Technical University of Munich, hydrology professor Markus Disse opens up a textbook to a chapter on hydraulic jumps, a hydrological phenomenon that occurs along a fast-moving waterway like the Eisbach, which creates a surfable wave. Disse says a wave like the Eisbachwelle requires a certain water speed combined with a “bump” of sediment on the bottom of the stream.
Disse says he thinks the city likely removed that underwater bump. “They did their job too good,” he says, smiling.
How to resurrect the Eisbachwelle? “I would play around with the discharge,” says Disse. “Perhaps they should try lowering the discharge, wait half an hour, then you see the effect, and you could do a series of experiments.”
Disse says if that doesn’t work, then Munich authorities should attempt to dump gravel into the canal to re-create the “bump” of sediment that likely created the wave in the first place.
Back on the banks of the Eisbach Canal, Neumann watches an engineering team from Hamburg — hired by the city of Munich to study why the wave disappeared and in charge of bringing it back — fasten GPS and sonar equipment to a boogie board before they let it go into the river to test water flow and graph the underwater structure of the riverbed.

He says he trusts that the city has the surfers’ best interests in mind. Surfing along this stretch of the canal — which was owned until 2010 by the state of Bavaria — used to be illegal until the city stepped in and initiated a land swap with Bavaria in order to legalize surfing along the Eisbachwelle.
The city’s tourism board includes the site in its marketing, and Neumann says the Eisbachwelle has become an integral part of the city.
Still, surfers have become impatient with the pace of the work to resurrect the wave. A week after it disappeared, Neumann says, a group of surfers submerged a wooden ramp where the wave once stood, and for a day, the wave came back. However, authorities deemed the ramp an illegal structure and removed it. The city continues to work on a solution.
Esme Nicholson contributed to this report from Berlin.           Â
Transcript:
JUANA SUMMERS, HOST:
Surfers in Germany are not stoked about the disappearance of a popular inland surfing spot, a wave that formed along a river in Munich, Germany. A couple weeks ago, the wave vanished after a city dredging project. Now the community is uniting to get it back. NPR’s Rob Schmitz has this report. And a warning, there is surfer lingo in his story that might be, like, a total buzzkill.
ROB SCHMITZ, BYLINE: At first, they were like, dude? And then they were like, dude. Munich surfers had lost their ride.
JAKOB NETZER: It’s very sad that the wave is not working.
SCHMITZ: Standing by what used to be his wave, surfer Jakob Netzer (ph) is bummed.
NETZER: People really are missing it because surfing is a lifestyle.
SCHMITZ: Munich’s wave, the Eisbachwelle, is a natural river swell, a 5-foot-high summit of water along a raging stream that bisects the city’s largest park. Netzer calls the wave gnarly, dangerous. And before it disappeared, only the most experienced surfers dared to take it on.
NETZER: The first time I was surfing the wave was when I was 17. I was working in a bar, and one of my bar colleagues (laughter) took me to go on the wave in the middle of the night after our shift.
SCHMITZ: And why did you think that was a good idea, to come out here to the most dangerous river surfing spot and try and do it in the middle of the night?
NETZER: Actually, I didn’t think much about it. I don’t know. We just did it.
(SOUNDBITE OF DICK DALE AND HIS DEL-TONES’ “MISIRLOU”)
SCHMITZ: Netzer wiped out and nearly drowned. But his throw-all-caution-to-the-wind approach is the foundation of surfing. But a river wave may not always be there for you. And on November 2, the raucous and brash surfing culture of Munich went 60 to zero, or from a Dick Dale surfing scorcher to a somber sonata from Germany’s favorite composer overnight.
(SOUNDBITE OF LUDWIG VAN BEETHOVEN’S “PIANO SONATA NO. 14”)
SCHMITZ: Last month, city engineers lowered the river and dredged it of any potential danger spots and sediment, says fellow surfer Alexander Neumann. When the engineers reopened the floodgates, the wave was gone. In its place, a foamy, unsurfably lame stretch of white water. Neumann says surfer social media groups lit up in horror. Surf is down, dudes.
ALEXANDER NEUMANN: They took a bit too much out which used to lay on the ground of the wave. And the wave is not forming properly now. That’s our problem.
(SOUNDBITE OF LUDWIG VAN BEETHOVEN’S “PIANO SONATA NO. 14”)
SCHMITZ: Neumann, of the Munich River Surfers Association, stands at the riverside staring blankly at where the wave used to be.
NEUMANN: It’s a white water wash now because, as you can see, the water that’s coming out from the two channels, it’s not finding any resistance after because it’s going down. And then you have the backwater that’s coming. So that’s why it’s breaking in itself.
(SOUNDBITE OF LUDWIG VAN BEETHOVEN’S “PIANO SONATA NO. 14”)
SCHMITZ: Just upstream, a team of engineers and a hydrologist hired from Hamburg tinker with GPS and sonar equipment they’re attaching to a boogie board. The city, it appears, is addressing an engineering mishap by throwing more engineers at it – a German solution to a German problem.
MARKUS DISSE: They did their job too good (laughter).
SCHMITZ: Hydrologist Markus Disse teaches down the street at the Technical University of Munich. He suggests the city instead experiment with the flow of the water while replacing some of the sediment to resurrect the wave. He opens a hydrology book to a page on fluid mechanics to explain what’s called the Froude number.
DISSE: I can give you the formula if you like.
(SOUNDBITE OF LUDWIG VAN BEETHOVEN’S “PIANO SONATA NO. 14”)
SCHMITZ: Dude, no.
DISSE: So velocity divided by square root of gravity constant times the water height.
SCHMITZ: And if, he says, the city adds sediment and increases the velocity of the water, then the Froude number increases and the height of the wave should, too.
(SOUNDBITE OF WATER FLOWING)
SCHMITZ: All this hydrological engineering talk made Munich surfers impatient, though. A week after the wave vanished, they MacGyvered an underwater ramp and secretly installed it where the wave used to be, and voila, the wave came back.
(SOUNDBITE OF DICK DALE AND HIS DEL-TONES’ “MISIRLOU”)
SCHMITZ: Yes, it was illegal, and yes, the city was not happy about the stunt, and it was removed. But for a day or two, surfers were again riding the Eisbachwelle, where the surf was back up, dude.
Rob Schmitz, NPR News, Munich.
(SOUNDBITE OF DICK DALE AND HIS DEL-TONES’ “MISIRLOU”)


